Freely improvised and non-academic electroacoustic music {as}[by] urban folk[s] ~ part 3
from: Emergence at the frontiers and in fringes & trenches of contemporary music
Out in the real world, as practitioners, it is pretty easy to delineate the psychosociogeographic -artistic, musical- subspace that encompasses the individuals -solo, or more or less loosely organised in groups; part of these will consider themselves as being full- or part-time ‘artists’ and/or ‘musicians’, but others will most…
