Freely improvised and non-academic electroacoustic music {as}[by] urban folk[s] ~ part 2
from: Emergence at the frontiers and in fringes & trenches of contemporary music
In an earlier paper in our series of speculative writings on the frontiers, fringes and trenches of contemporary music (published in 2009, in Hungarian [HSEF]) you will find a somewhat unorthodox but in a number of contexts quite workable definition of the socio-musical activity the roots of which above we traced back to the…
